羅智信|LUO, JR-SHIN
中文/EN
about
review
material-based
The Mountain Algorithms @KMFA
Tomato Seeds Passing Through the Body and Germinating
Cat Litter Cat
Sink, Sunk, Suck
Old Color
in Budding, in Blooming, in Withering @Taiwan Academy
in Budding, in Blooming, in Withering(ACC)
Open Containers
Art Basel Hong Kong 2015
New Work Project
Comb Me a Waterfall
Blue or Gray
The Groom Stripped Bare by His Bachelors, Even
Soap Poem
Shoes on Gum
American Size
Female Bust I
Female Bust III
Polka Dot Bow Tie
my ex-lover is your very new sweet heart
The sea in the dream stroke me down
On the mattress
space-based
Look at Me Grooving
Forage - Habitat - Transit
Come into My Drain
Like a Urinal in a Nightclub @TFAM
Man Singing under No Man’s Land
The Stomach and the Port: Liverpool Biennial 2021
Subzoology: Taiwan Biennial 2020
Two Rooms, A Love Story
SNAILS (NOT INCLUDED)
Terrarium @Taichung World Flora Exposition
Like a Urinal in a Nightclub@TCAC
Coconut Escape
Water city-Times Museum
Slide, don’t Slip
The Great Acceleration:Taipei Biennial 2014
Sharon - an artist's imaginary assistant
Water City-TFAM
Water City(THAV)
Curtain
image-based
Queens International 2013
from one to all
Unseen Daily Life
photographs / sculptures
mixed drink 2012-2013
land shifting
Calm Summer
Daily Serving

Come into My Drain
Medium|Mixed Media Installation
Size|Dimensions Variable
Year|2022

The composite media installation Come into My Drain created by artist Luo Jr-Shin is a space-specific installation work that combines sound. The wooden structure guides and even forces the audience to change their body habits to get in the work. Breakfast At Dibannel, composed by musicians Mayday Masa and Yile Lin comes from the back of the wood, the back of the chair, floors, and stairs. While proceeding with the music, the audience is encouraged to re-see their relationship with the architectural space, as well as how sound, light, and objects draw emotions and cognition.

Luo Jr-Shin takes "the deepest fear but also the nourishment" as the key basis for the idea of this work. The subject described here was dark, negative, and periphery - but it could also be prejudiced, or identified within a social framework. Under the turbulent situation, the world seems to be divided into two halves of light and darkness with clear barriers. The artist Luo Jr-Shin is curious about this contrast and is also interested in the vague existence between the two. Front/back, light/dark, all depend on the viewing angle; maybe, in the dark, we can also see the shimmer.

-

Breakfast At Dibannei (OT:An der schönen, blauen Donau - Walzer, Op. 314)

5min50sec

Music Production
Song|Breakfast At Dibannei (OT:An der schönen, blauen Donau - Walzer, Op. 314)
Lyrics|YILE LIN
Composer|YILE LIN、Johann Baptist Strauss (public domain)
Artist|YILE LIN
Producer|YILE LIN、Mayday Masa、Elisa Lin
Music Arrangement|YILE LIN、 Elisa Lin、Mayday Masa
Acoustic Guitar|林以樂 YILE LIN
Piano|Elisa Lin
Strings Arrangement|Elisa Lin
Viola|Elisa Lin
Cello|Ernest Ling
Backing Vocals & Arrangement|YILE LIN
Recording Engineer|Johnny Lin @ ALIEN Art Centre
Recording Assistant|Evan Ko、Sam Yang
Mixing Engineer|Link Shan @ Lights Up Studio
Mixing Assistant|Yu Shih Cheng
Executive Producer|Evan Ko、Sam Yang

Artworks Installation Team
Artist| Luo Jr-Shin
Design collaboration|Wu Gwo-Woei