羅智信|LUO, JR-SHIN
中文/EN
about
review
material-based
The Mountain Algorithms @KMFA
Tomato Seeds Passing Through the Body and Germinating
Cat Litter Cat
Sink, Sunk, Suck
Old Color
in Budding, in Blooming, in Withering @Taiwan Academy
in Budding, in Blooming, in Withering(ACC)
Open Containers
Art Basel Hong Kong 2015
New Work Project
Comb Me a Waterfall
Blue or Gray
The Groom Stripped Bare by His Bachelors, Even
Soap Poem
Shoes on Gum
American Size
Female Bust I
Female Bust III
Polka Dot Bow Tie
my ex-lover is your very new sweet heart
The sea in the dream stroke me down
On the mattress
space-based
Look at Me Grooving
Forage - Habitat - Transit
Come into My Drain
Like a Urinal in a Nightclub @TFAM
Man Singing under No Man’s Land
The Stomach and the Port: Liverpool Biennial 2021
Subzoology: Taiwan Biennial 2020
Two Rooms, A Love Story
SNAILS (NOT INCLUDED)
Terrarium @Taichung World Flora Exposition
Like a Urinal in a Nightclub@TCAC
Coconut Escape
Water city-Times Museum
Slide, don’t Slip
The Great Acceleration:Taipei Biennial 2014
Sharon - an artist's imaginary assistant
Water City-TFAM
Water City(THAV)
Curtain
image-based
Queens International 2013
from one to all
Unseen Daily Life
photographs / sculptures
mixed drink 2012-2013
land shifting
Calm Summer
Daily Serving

Forage - Habitat - Transit, 2023
Coated fiberglass reinforced resin

The sculptural form is inspired by migratory egrets that one might only encounter once in a lifetime. These elegant visitors are seasonal migrants every year. Their regular migration speaks to the seasonal changes of this garden. In this "landscape" of images, the nomadic waterfowls roam freely and relaxingly in the "dry" landscape, forming a vivid contrast and serving as a symbol of permanent time and fleeting moments. The posture of the sculptures and the landscaping of the garden both capture the impermanence in permanence.

 

Forage - Habitat - Transit, 2023
Wood logs, fiberglass reinforced resin, motorized installation

Located in the timber pond, which used to be a wood production facility and is now an ecological pond of aquatic animals and plants, Forage - Habitat - Transit reveals a group of waterfowl sculptures that forms a humorous, comical response to Dongshi's historical industry and memory. The strange, slightly unnatural postures of the birds add a peculiar charm to the expansive waterscape.

In this natural park, which has evolved from an industrial site into a cultural one, these waterfowls in their respective posture seem to remind us of an important fact-nature and resources are not exclusive to human beings. Animals and plants are also a crucial part of this landscape.